Sheet Music – £ – Orchestral Parts. Arranged by David Stone. Aram Khachaturian: Adagio of Spartacus and Phrygia. Born in Tblisi, Georgia in , Aram Khachaturian’s music is still performed regularly in. Aram Khachaturian. Publisher: G. Schirmer. Adagio from “Spartacus”. Work Notes . Available in the USA, Canada and Mexico only. Publisher. Khachaturian titles.

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The strings begin to tremolo and then build up the scale until they hit their highest registers.

There is a distinct feeling of call and response between the upper strings and each of the upper woodwinds. This adagio may be the most romantic piece of music ever written. The moody horn line compliments the staccato trumpet fanfare, which perhaps represents the sparatcus to war and the army within the ballet. The upper strings lead into a brass fanfare, and this marks a significant change in adaigo music, as up until this point the brass have not played a single note.

Khachaturian composed Spartacus inand was awarded a Lenin Prize for the composition that same year.

Aram Khachaturian ‘Adagio of Spartacus and Phrygia’: Enchanting Affection – Classicalexburns

The work follows the exploits of Spartacusthe leader of the slave uprising against the Romans known as the Third Servile Waralthough the ballet’s storyline takes considerable liberties with the historical record. Retrieved from ” https: Roll Up Roll Up! The trumpets have a different line to the rest of the orchestra, with them playing the same offbeat quaver movement that is heard at the start of the piece.


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Spartacus (ballet) – Wikipedia

Aegina insists that Crassus pursue the khachathrian army immediately. The violins repeat the love theme, but this time an octave down. Leave a Reply Cancel reply. The clarinet and oboe are utilised in this section, with both playing pivotal solos. Crassus Spartacus Phrygia Aegina.

The harp is also playing here, and the delicate plucking of the strings to accentuate the scalic movement is effective and adds to the intense atmosphere. They disrupt the orgy and spagtacus the slave women, including Phrygia. This feeling of staticism and the rest of the orchestra stopping is like taking a very large musical breath, which in this case is rather effective.

The escaped captives celebrate their freedom.

Spartacus unknowingly kills his friend in the arena. As the intensity of the melody grows, so khachaaturian the dynamics. This leads to the first climax of the piece, where the melody becomes slightly agitated and quickly flourishes into a top suspended chord just in the violins. The lower strings are marked pizzicato, and the delicate plucking of the strings creates an interesting dichotomy between the full string melody and the sparse accompaniment.

A slow rumble in the lower strings lets us know that the music is moving forward from this solo melody and accompaniment form. Within the opera it appears in the second act, when the slave women are set free, and Spartacus and Phrygia celebrate.

Aram Khachaturian

Image Source Recommended Recording: The Frok consul Crassus returns to Rome from his latest conquests in a triumphal procession.


Spartacus in fiction and media.

The lower strings begin to enter slowly to support the melodies above, and the cellos play small countermelodies every eight bars. Archived from the original on By using this site, you agree to the Terms of Use and Privacy Policy.

Adagio of Spartacus and Phrygia Blogs Orchestral. Opening with a delicate syncopated rhythm from the upper strings, the flute embellishes the developing theme with a sequence of trills. The upper winds accentuate this melody with quaver movements that keep the tempo driving below the melody.

The melody moves around slowly in different forms, which acts as a transition into the next section of the work.

The atmosphere begins to intensify as the strings ascend into their upper registers for the first time. Adagio of Spartacus and Phrygia. Gayane —41 ” Sabre Dance ” Spartacus — List of compositions by Aram Khachaturian Category: The lower strings create a much more military feel in this section, with them playing in their lower registers — offering harmonic stability.

There is an awash of sound from the upper strings, with the upper winds embellishing the melody once more. This induces Spartacus and his men to rebel. The Music Opening with a delicate syncopated rhythm from the upper strings, the flute embellishes the developing theme with a sequence of trills.